The Cosmic Glow

These works sit between two visual systems in my practice—the structured logic of geometric forms and the instability of mutating bodies.
They attempt to locate something internal that is not directly visible, but constantly active. A space that feels biological, yet cannot be mapped anatomically.

The forms begin to resemble neural pathways, cellular structures, or microscopic activity, but they do not resolve into anything fixed. They remain suggestive rather than descriptive.Geometry appears, but it does not organise. It dissolves into fluid movement. Lines bend, repeat, and scatter, behaving less like structure and more like impulse.

At the same time, the bodily presence does not fully emerge. It lingers at the edge. A suggestion of a figure, a trace of a system, something forming and unforming.

The surfaces carry a strange duality. They feel internal, almost clinical, but also playful, luminous, slightly unreal. As if what is being observed is not just biological, but imagined through sensation.

These works are not representations of the body.They are attempts to understand how the body thinks, feels, and processes before it becomes recognisable.