The Feet of Becoming

The Feet of Becoming holds transformation as a continuous, cyclical movement, one that is tied as much to mortality as it is to growth.

The circular form contains a body in motion, folding into itself, losing clear distinction between limbs, self, and space.

There is no fixed orientation. The figure turns, collapses, reforms—suggesting a body that is constantly becoming, but never complete.
The circular structure begins to resemble both a womb and a closed system. The painting holds meaning in every orientation.

A site of origin, but also of containment. In this cycle, becoming and ending are not separate states, but part of the same movement.

As the form dissolves into the sphere, it loses its recognisably human structure. What remains is not identity, but process—where the body is no longer something stable, but something continuously shifting, and in that shift, barely human.